Virasat-e-Khalsa dedicated to humanity
Rs 300-crore monument depicts the history, evolution of the Khalsa Panth
 Jangveer Singh
Tribune News Service

Asha Bhosle performs at the inaugural ceremony.
Asha Bhosle performs at the inaugural ceremony.
Jaspinder Narula performs at the inaugural ceremony.
Jaspinder Narula performs at the inaugural ceremony.
Virasat-e-Khalsa’s Israeli architect Moshe Safdie
Roll of honour: The Chief Minister honoured Israeli architect Moshe Safdie on the occasion. He said Safdie had studied Sikh religion for two years before designing the heritage museum. Safdie said he wanted the museum to look 300 years old and he thought he had succeeded in this objective. Others who were honoured included noted filmmaker Bobby Bedi and designer Amar Behl for creating the exhibits of the heritage museum.
Anandpur Sahib, November 25
The Akalis today basked in the reflected glory of the steel petal roof of the Virasat-e-Khalsa that was dedicated to humanity in a ceremony that encompassed all faiths, but was essentially rooted in Sikh culture and tradition.
Badal, flanked by Akal Takth Jathedar Gurbachan Singh and the Sikh high priests, pressed a button to unveil the museum’s inaugural plaque as the Virasat-e-Khalsa monument seemingly rose out of the hillocks in the background. Nihangs astride horses and on foot along with ‘gatka’ troupes dressed in blue with saffron colour turbans dotted the hillocks and enhanced the backdrop.
Asha Bhosle started the function with a soulful rendition of the ‘shabad’ ‘Mera Sahib, Mera Sahib’ followed by Punjabi singer Jaspinder Narula’s ‘Deh Shiva Var Mohe’. The programme ended with an ‘ardas’ by Takth Sri Keshgarh Sahib Jathedar Giani Tarlochan Singh.
A glider then showered confetti and flower petals on the assembled congregation that had BJP president Nitin Gadkari, Art of Living founder Sri Sri Ravi Shankar and Deputy Chief Minister Sukhbir Singh Badal among others. This was followed by a fireworks display.
The inauguration clearly belonged to Chief Minister Parkash Singh Badal. The veteran leader has achieved the unique distinction of being behind the creation of the Rs 300 crore monument destined to take the Sikh religious experience to a new level.
Rajya Sabha MP Tarlochan Singh set the tone for the function by reminding the congregation that the museum was the result of one man’s dream. With elections in mind, he prayed to the lord to give Badal more time to complete all remaining tasks of the Sikh community.
The Chief Minister recollected his chance visit to the Holocaust Museum in Jerusalem and a meeting with its Boston-based Israeli architect Moshe Safdie. Calling the museum a culmination of his life tasks, Badal said, “I am satisfied that I have managed to fulfill the tasks set for me by the Guru.
Sacha padshah mehr karo, asin hor vi sewa kar sakiye (God bless us so we can serve the people even better).”
The Virasat-e-Khalsa stands at a site that is the birthplace of the Khalsa Panth. The second holiest Sikh shrine, Takht Keshgarh Sahib, is located here. It was here in 1699, on the day of Baisakhi, that 10th Sikh master Guru Gobind Singh founded the Khalsa Panth and baptised the 'Panj Piaras'.
Conceived as a repository of the rich heritage of the Khalsa, showcasing the history and culture of Punjab, the heritage complex has been built on a 100-acre site to emphasise the eternal message of the Sikh gurus.
The Chief Minister said that a never-before miracle in Sikh history would take place in the coming week — the inauguration of three more memorials to commemorate the two genocides that occurred in Sikh history and the victory of Sirhind by Banda Singh Bahadur.
Earlier, BJP president Nitin Gadkari said he had been in the construction business for long, but was impressed by the scale of the monument.
Spiritual guru Sri Sri Ravi Shankar said today’s ‘sankriti’ had been saved by the Khalsa Panth and that the 120-crore people of the country would be indebted to the Sikh Panth for the sacrifices made by its gurus in the cause of humanity.
Also present were Swami Madhav Ashram Shankra-charya Bapu Asa Ram, Pakistani dignitaries Imran Masood (ex-education minister) and Rai Azizullah (ex-MP), former Canadian MPs Ruby Dhalla and Gurbax Malhi, besides Deputy Chief Minister Sukhbir Badal and other senior SAD and BJP leaders.


VIRASAT-E-KHALSA (formerly known as Khalsa Heritage Memorial Complex) is a museum located in Anandpur Sahib.
The museum gives an insight to the events that took place in Punjab five hundred years ago which gave birth to Sikhism and finally the Khalsa Panth.
The museum will throw light on the vision of the Gurus, the eternal message of peace and brotherhood which they delivered to the whole mankind and the rich culture and heritage of Punjab.

A masterpiece of rich Sikh culture and religious history, the 'Virasat-e-Khalsa was Friday dedicated to the nation in this Sikh holy city amidst an elaborate religious ceremony here.
The Rs.300 crore project was opened by Punjab Chief Minister Parkash Singh Badal in the presence of Bharatiya Janata Party (BJP) president Nitin Gadkari, Art of Living founder Ravi Shankar and others.
Conceived as a repository of the rich heritage of the Khalsa, showcasing the history and culture of Punjab, the heritage complex has been built to emphasize the eternal message of the Sikh gurus.
Called the Khalsa Heritage Complex (KHC), it is touted as a landmark monument of one of the youngest religions in the world.
Prime Minister Manmohan Singh was invited by Badal to inaugurate the monument but the move ran into a controversy after state Congress leaders alleged that the monument had already been inaugurated in 2006 and that the prime minister should not come to re-inaugurate it.
The project, announced in April 1999, was originally expected to be completed by September 2004 to coincide with the celebrations of the 400th year of the Golden Temple.
In December last year, the Punjab government set the "final" deadline for July 30 this year but even that was missed by the authorities.
The monument inaugurated Friday is only the first phase of the whole KHC complex.
Boston-based Israeli-architect Moshe Safdie has designed the complex, which is shaped like open hands offering prayers. The monument is termed as a "wonder in the making".
Being built on a 100-acre site at Anandpur Sahib, 85 km from Chandigarh, KHC stands at a site that is the birthplace of the Khalsa Panth, the present day Sikh religion. The second holiest Sikh shrine, Takht Keshgarh Sahib, is located here.

IN the tercentenary year of the Birth of the Khalsa, the Government of Punjab, in April 1999, announced a Khalsa Heritage Complex at Anandpur Sahib to commemorate this epoch-making event.
The project, an inspiring tribute to the heroic and poignant saga of the Sikhs and Punjab, stands amidst mountains on a sprawling 100-acre area.
Dubbed as a "wonder in the making", the complex has been conceived to project the history and culture of Sikhs on an international scale.

Tribute to tradition

The project, which has been shaped like hands offering prayers, unfolds Sikh history and tradition –like never before.
People working on the project claim that a museum like this has never been built before in the country. It has got no precedent, no comparison.
Made up of building materials from all over India, the project is an architectural miracle and the world’s foremost, comprehensive Sikh heritage centre.
Moshe Safdie, the internationally acclaimed Boston-based Israeli architect, has designed the Khalsa Heritage Complex. Punjab Chief Minister Prakash Singh Badal handpicked Safdie, during one of his visits abroad in mid ’90s.
The project houses a museum, which will have souvenirs related to Sikh history comprising all 10 Sikh Gurus, Guru Granth Sahib and Sikh rulers like Maharaja Ranjit Singh. The museum will also have scriptures written by Guru Gobind Singh.
The museum is conceived by Amardeep Behl, a Delhi-based designer running AB Design Habit, who is also working on restoration of Sri Harmandar Sahib.
The project has two main complexes, which are joined with a connecting ceremonial bridge. The canopy on this bridge is an architectural experiment and is situated in the opposite direction of the sun and does not provide any shade.
The western complex houses an auditorium with a seating capacity of 400. It will have temporary exhibition galleries and a library, housing all journals, magazines, books and periodicals on Sikhism.
The eastern complex has a north wing also known as flower building. It has another part, which is called boat building or heritage building.
The roof of the flower building is shaped in form of five petals – depicting Panj Piaras of Guru Gobind Singh. Each petal will house an exhibit tracing the life history of all gurus from birth to attaining salvation/ martyrdom. These will be permanent exhibits. The petal at the highest altitude will have information and exhibits on Guru Granth Sahib.
The rooftops of all petals have been covered with special stainless steel sheets. At night the entire building will be illuminated with its large silhouette being reflected in seven acres around. It will also illuminate the night skyline of the historical city of the birth of the Khalsa.

Exhibit galleries

At the entry of the museum, permanent exhibits, depicting Punjab before birth of Guru Nanak, have been placed. These will showcase the climate, culture and life of pre-Guru Nanak times. The ceiling of this heritage building has been made of glass and its floor will be covered with water. The aim of this exhibit is to make the visitor introspect his life.
Thematic carpets will adorn walls of this part of building for which weavers from Mirzapur have been roped in. Next the visitor is greeted with the thought-provoking concept of Ek Onkar – this mool mantra will echo all around this exhibit. This exhibit, with special sound effects, is situated in a drum-like building where lights will create an image of Ek Onkar and an audio message will highlight core principles of Sikhism.
Then starts a mesmerising journey into the lives of first five Gurus in the five petals of the flower building. These five petals tell tales from Guru Nanak Dev to Guru Arjan Dev.
The first petal will have the milieu of the times Guru Nanak Dev was born in, tracing his life with travels (udasi) undertaken. Further there will be galleries depicting achievements of Guru Angad Dev and Guru Amardas. One of the galleries is divided into two, by recreating a baoli in the middle, to highlight gurus contribution. It will have leather and shadow puppets with painted murals in background.
The gallery in the fourth petal contains exhibits on the contribution of Guru Ram Das, including the construction of the city of Ramdaspur, adding 11 ragas to existing corpus of Gurbani and the Lavan. The city of Ramdaspur has been recreated in an embroidered creation.
The gallery in the fifth petal showcases key events in history of Sikhism: construction of Harmandar Sahib and writing and installation of Adi Granth. A pathway leading to the gallery will have a replica of Harmandar Sahib. The gallery also has an ethereal, glowing representation of Prakash Sthal — the place of the Adi Granth in Harmandar, in the centre. Around this central installation are shown stories related to the establishment of Adi Granth. Four doorways around it recreate different scenes describing the life and times of Guru Arjan Dev.
There is another gallery depicting Guru Arjan Dev’s martyrdom in the form of a sculpture on the terrace.
Here the events of martyrdom have been narrated in an evocative manner without showcasing ****** and horrendous scenes, usually associated with Sikh museums.
There is also an exhibit, which will suggest coming together of five elements — fire, earth, water, air and space.
Petals in the crescent building will cover lifespans of Guru Hargobind, Guru Har Rai, Guru Harkrishan, Guru Teg Bahadur, Guru Gobind Singh and Gurta Gaddi.
The galleries at the lower level will chronicle the trials, tribulations and triumphs of the Khalsa from Banda Bahadur to immediately after Partition, when Sikh dynamism transformed Punjab with its `E9lan, energy and resilience.

A tourist hub

The Khalsa Heritage Complex has a great potential to attract a large number of tourists as the town already attracts a large number of pilgrims to many Sikh gurdwaras and the temple of Sri Naina Devi. A large number of foreign tourists also visit the area.
The Punjab and Himachal Pradesh Governments have proposed a joint ropeway project from Naina Devi to Anandpur Sahib. Currently, a survey of the area is underway for this project. Besides these attractions, the Bhakhra-Nangal project and the Nangal wetland offer perfect features for developing this area as a tourist hub.
But the heritage complex project has been hit hard by the funds crunch, which has delayed its construction. Started by Prakash Singh Badal in 1998, the project ran into rough weather in 2003 with the then chief executive of Anandpur Sahib Foundation (ASF) seeking funds from NRIs for its continuation.
A year later, a consortium of five banks agreed to finance the project. The Central Government contributed around Rs 48 crore, while the five banks gave Rs 100 crore. The rest of the amount has been spent by the state government.
The government had earlier promised to complete the project by 2004. Later the deadline was shifted to Baisakhi this year. But the ASF now plans to inaugurate the project by November this year.
Modalities are being worked out to recruit staff members for the complex. Work is also on to finalise rare books and manuscripts for the hi-tech library that will be an integral part of complex.